Beatles Countdown #91 – I’ll Follow The Sun

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I didn’t realize until I started counting this down, but there are a lot of Paul McCartney songs on here. I’m not trying to badmouth him, but jeez! This is the tenth song we’ve covered so far: two have been by Harrison, two by McCartney & Lennon, and the rest by him! So yeah, here’s another McCartney song at #91 from the rushed album Beatles For Sale: “I’ll Follow The Sun.”

This song is interesting. It’s one of the first Paul ever wrote having originally penned it down when he was 16 after he had just recovered from the flu. The song itself never had serious attention paid to it, but it was actually one of the first songs the band ever recorded together. In 1960 (then with the original quintet of Paul, John, George, Stu Sutcliffe, & Pete Best), the then Quarrymen recorded a version slightly briefer while on break from school. It featured different lyrics, structure, and a different guitar section, but it still kept the same feeling of the song. Pete Best would later recall how even though it wasn’t a staple of their performances, he remembers Paul playing them between sets in Hamburg by himself on piano a handful of times. The band originally had thought of themselves with a harder image (when they dressed in all leather in Hamburg) which Best says is the reason they never played it as a group. Even as the band’s image softened in the following years, Paul still maintained that ballads didn’t fit their image as a rocking band so they kept ballads as sparse as possible. Think about that – The Beatles without ballads? Where would we be without Yesterday?

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Beatles Countdown #92 – Got To Get You Into My Life

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Paul McCartney makes yet another appearance here with a metaphor-laced song from Revolver: “Got To Get You Into My Life!”

I love this song and the reason is simply because it is just fun. That’s it! Whether it comes on randomly on my iPod or it follows the closing of “I Want To Tell You,” the opening brass fanfare always gets me in a good mood bouncing around singing those first words: “I was alone, I took a ride, I didn’t know where it was goinnnnnnnnnnngggggg!” It definitely stands out on the album as a Motown-influenced piece, but also has just a jubilant feel that stands out even with other fun tracks. Sure, “Yellow Submarine” makes an appearance here and everyone loves to sing to that, but that’s more of a childish, nonsensical fun. These are lyrics that you can actually belt out like you would in real life. This is a rhythm that gets you really moving, not just swaying from side to side. It’s just non-stop fun from the brass fanfare (first time Beatles had a brass section) to the fade-out of Paul McCartney repeating the opening verse, perhaps trapping himself in a never-ending loop of amazing music. John Lennon would later share his love of the song too as he said it was one of Paul’s best songs. Even critics such as Thomas Ward have said this is an overlooked gem perhaps showcasing his singing better than normal. It’s just a fantastic song with a great feel to it.

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Beatles Countdown #93 – This Boy

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Continuing on with the most famous songwriting partnership in history, the B-Side of “I Want To Hold Your Hand” clocks in at #93: “This Boy!”

Though always held up that it was a joint song, the song was more primarily written by John Lennon in one of Paul & John’s many hotel sessions though naturally Paul had a lot of influence. On tour in 1963 with a couple of hours to kill, the two got together to write a song based in harmony. Written around doo-wop chord progressions, John Lennon drew inspiration from Smokey Robinson’s “I’ve Been Good To You,” a favorite artist of The Beatles at the time. They would later cover “You Really Got A Hold On Me” by Smokey Robinson’s Miracles in the same recording session. Paul would later add in The Teddy Bear’s “To Know Him Is To Love Him” to the list of inspirations to this song. John & Paul wrote the song in three-part harmonies for themselves & Harrison in a move that Paul said he liked to do from time to time to expand the versatility of the band. They would later master multi-layered harmonies in “Because” at the end of their career. Originally, the band had a guitar solo in the middle eight of the song, but it was dropped during the recording process for a blistering vocal performance by John Lennon that stood out with the otherwise timid nature of the song. Just another last minute addition that makes the song.

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Beatles Countdown #94 – The Word

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Introducing the partnership of John Lennon & Paul McCartney for the first time in this countdown is #94: “The Word!”

Appearing on their famed folk-rock album Rubber Soul, the song, like most on the album, was a noteworthy one in the evolution of The Beatles’ lyrics. Having always sung about love in terms of “boy/girl” such as “She Loves You,” this song marks the first time the band talks about love more abstractly such as a concept, not an emotion. In the song, the titular word is love and as the singer commands the listener to say it so they’ll be free, you get the idea that it’s a subtle hint of just being more open to love of all kinds. It wouldn’t be long before they would use love as an anthem for “All You Need Is Love,” but “The Word” marks The Beatles as much more aware of their lyrics and their ideals.

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Beatles Countdown #96 – P.S. I Love You

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Back to McCartney for a second as we roll out number 96, “P.S. I Love You!”

As the B-Side to their first single “Love Me Do,” “P.S. I Love You” was a very big historical song for the band with lots of fun information about it. To start off, session drummer Andy White actually drums on the track instead of Ringo Starr. Ringo didn’t impress the producers in his first actual session with the band after replacing Pete Best so the hammer had to come down. He simply plays the maracas in what had to have been a seriously embarrassing musical moment. It seriously couldn’t have been the last for the guy who wrote “Don’t Pass Me By” though. To his defense though, the drums do lack the distinctive heavy drum beat that their early songs had, instead trading it for a light, brisk beat. I don’t know which would have sounded better, but the song does stand out differently in The Beatles’ early catalogue for this very reason. Speaking of somewhat musical prowess, Paul liked to plug in random chords just to show off his then-talent in the early days which gives us a very brief, but weird sounding C#7 chord in the opening. Paul would come to love his 7th chords later on extensively so get used to them. Another fun informational piece is that the band played the song as part of their audition for Parlophone Records in June, 1962. Well, now I wonder if Lennon “hoping to pass the audition” was an attempt at being cute or an attempt at cutting down Paul’s song. Hmm…

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Beatles Countdown #98 – I Will

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At number 98 is another song written by Paul McCartney that also appears on side two of disc one of The White Album: “I Will!”

A simple & short love song, “I Will” clocks in at 1:46 with oversaturated love for Paul’s future wife Linda Eastman. Isn’t it weird to think of a song being that short & being only the third shortest on the record? Anyway, McCartney wrote the music to the song in India in the aforementioned trip (again with Donovan), but he actually didn’t finish the lyrics to the song until shortly before recording took place. He had the same problem with “Rocky Raccoon” as he even changed the lyrics to that song during recording.

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Beatles Countdown #99 – I’m Down

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Clocking in at 99 is the first B-Side of the countdown from the Help! album: “I’m Down!” Man, depression never sounded so fun before or after I first heard this song.

Like number 100, the song was primarily written by Paul McCartney and is probably one of The Beatles’ best rock songs from the time period. You know, before they went and changed the definition of “rock music.” With the twelve-bar blues format and the stop/go verse styles, it’s an obvious homage to Little Richard and many of his hit songs. The Beatles toured with Little Richard most of 1962, the same year their first single was released, and the members have always spoken of how influential that tour was on them. According to them, he taught the band a lot about stage presence as well as the correct technique in performing his songs which they took to heart and made their own. “I’ve Got A Feeling” ring a bell? The Beatles idolized Richard so much that they recorded one of his signature songs, Long Tall Sally, before A Hard Day’s Night and John Lennon attempted to out-do the master by doing his song a whole step higher.

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