Relieving Some Stress

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It’s been a stressful week for me, guys. I’m not here to use this website as a means to map out my thoughts & feelings, but it’s been one of those weeks I’m glad to see over. What this website is for, however, is great music so let me share some with you today that I’ve been enjoying this late night. We all have those songs that calm us down when we’re stressed. They take it away, make everything all right, get us smiling, whatever. Like you guys, I have my few, but there’s one of them that just might be the best stress-reliever ever. Of course, I’m going to share it with you, but let’s get a little back-story on the song first. For that, let’s re-visit The Clash again, shall we?

“Punk died the day The Clash signed to CBS.” This 1977 quote by Mark Perry is almost prophetic for describing that era of punk. Some dub it the end of the first wave of punk. Some put it as the definitive end of “true punk.” It doesn’t really matter to be honest, but over the years, the quote has stuck to the band and to the era. It’s not like it was unwarranted. The Clash were a punk band on the highest pedestal. They came on the scene with only a few shows here & there and just blew people away, some would say even matching the current kings of punk The Sex Pistols. They were good, scathing, raw, and pure. They were the punk band. But before the band made their true impact on the punk scene, they were snatched up to CBS. They signed the label with the “enemies” and “sold out.” It was a smack to the people who had supported them and the movement at the time and while The Clash would defend their decision, it would ultimately turn out to be a slap to their face as well. For starter’s, their contract was a joke and later used as an example on what not to sign for new bands. It left the young band with virtually all of the costs for tours, recordings, remixes, artwork; you know, pretty much most of the things that a band needs desperately? More

The Only Band That Matters

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With Originals Week down and out, I figured I’d spend some time for the next few posts detailing some of my favorite bands that you all don’t know about. Breathe easy though; I’ll skip over Frusciante & Red Hot Chili Peppers since it’s just obvious. I’ll be covering my all-time favorites as well as some new favorite bands too. I will say, however, that I will be skipping out on Little Richard who is utterly fantastic. I covered Ready Teddy by him earlier so I won’t go back to him again, but still – utterly fantastic. So who to pick to start off? There are so many to choose from. Well, seeing as how I had this band down for a couple songs on Original Week possibilities, I guess we can go ahead with really the only band that matters…The Clash!

God, how I love The Clash. For starter’s, I enjoy my share of punk rock music as we have already covered here in this blog. Other than the big four of Clash, Ramones, Sex Pistols, and The Stooges, I also enjoy The Germs, The Stranglers, The Jam, and others. However, The Clash reign supreme over all of these. Like any good band of any genre, they ultimately became the best by exploring other genres and bringing the same sense of style to that genre. Much like Little Richard & Ray Charles took gospel singing into a boogie-woogie setting, The Clash took the punk rock feeling, lyrically & musically, and placed it into all sorts of genres, most notably reggae, ska, and rockabilly. The Clash crossed genres while still maintaining punk, which is something I don’t think any other band could say with a straight face (say Green Day, I’ll stick you like a pig). Don’t forget they released “Rock The Casbah” in pure disco fashion while maintaining the basic punk feeling lyrically (come on, the banning of rock music) & musically (the harsh chords in the chorus). Looking elsewhere, Songs like “(White Man) In Hammersmith Palais” & “Brand New Cadillac” barely even scratch the surface of the musical depth the band had. Hell, The Clash are one of the only punk bands I can use the phrase “musical depth” in and not laugh inside. Even more, when just sticking to the punk genre which was known for its absence of musical depth, the band still shone brighter than their contempories as they moved away from just power chords and transferred them into power riffs with killer licks in between like “I’m So Bored With The U.S.A.

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